|Rey wears a gray, formless cloak; why? Gray is the color of ashes, so it symbolizes both penance (from dust we came, to dust we shall return, let me do penance for my sins by pouring dust and ashes all over myself as a sign of humility) and the color of the pilgrim, because pilgrims would often go on a journey in penance and to seek after greater holiness. The site they are at, Skellig Michael (which we discuss more below) is a holy site--in reality and the Jedi universe--so the idea of a pilgrimage is suiting. Why is it so formless? What do we really know about Rey? Costumes are meant to communicate to the viewer about the character, but the film makers are keeping Rey "under wraps" (like the wrap she wears) so we aren't going to be allowed to know much about her, at least at this point. |
What about her staff? The staff, or rod, is a sign of strength: not only strength because she has been disciplined by the rod--think of how hard life was for her at the junkyard settlement on Jakku; so life has disciplined her, but that discipline has become her strength, it makes her less vulnerable and less afraid ("less afraid" is carefully chosen, in spite of what you may think of my writing skills :) she's still afraid, quite afraid, but she's all ready been through so much, she knows she is also tough). Unlike Kylo Ren (Han and Leia's son) Rey hasn't been pampered and given ego boosts, telling her she's going to be a great Jedi someday, knowing that her uncle and mother are galactic royalty and her father and his wookie heroes of the Resistance,... Rey has grown up, literally, in the desert, so the desert we see in the image above (rocks and salt water) is a comfortable and familiar surrounding; she isn't going to need a babysitter the way Kylo Ren obviously did.
Rey's hairstyle is quite interesting,... even bizarre. Completely pulled back, that suggests discipline, again, she is disciplining herself in her thoughts: she's not going to gush to Luke, "You are my hero! You are the greatest legend EVER! Can I have your autograph?!!? What about a selfie?!!" There are three "pony tails" (in spite of a better description) and, given that this is such a holy site, I would suggest the hair being parted into threes is a sign of her thoughts of God (Holy Trinity) and she realizes how important this temple is and she wants to make the most of it. In other words, she's not just her for the Resistance, for the galaxy, but she's also here for Rey. Now, look behind Rey: it's like a stone bench, which is probably what it is, but it also looks like a bridge, very much like the stone bridge we see The Mage on when she and Arthur discuss what he holds back and why he can't use Excalibur in King Arthur: Legend Of the Sword and, given that the lightsaber is also a sword, this connection isn't out of the question. In other words, Rey acts as a bridge for Luke to go from exile to the forefront of the Resistance once more. The problem with bridges, people walk over them, and this suggests that Rey's relationship with Han is going to look cozy and warm compared to her relationship with Luke.
Look to Rey's left and, from our perspective, behind her: on our left there is green and growth (life and new hope) and on our right there is rocks and barrenness; this is utilizing the landscape to illustrate what we find in these two characters. Rey is young and full of hope, but Luke is old, craggy and barren. Whereas Ben Kenobi had stayed on Tatooine to watch the progress of Luke, and made use of the desert for his own personal growth and advancement as the years passed, Luke choose this barren planet to escape responsibility and probably even blame, so Luke's heart has hardened, however, with Rey, she is what Luke needs to become that Jedi hero once more: hope.
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